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In her essay “The Master’s Tools Will Never Dismantle the Master’s House”, Lorde attacked underlying racism within feminism, describing it as unrecognized dependence on the patriarchy. She argued that, by denying difference in the category of women, white feminists merely passed on old systems of oppression and that, in so doing, they were preventing any real, lasting change. Her argument aligned white feminists with white male slave-masters, describing both as “agents of oppression”.

In so doing, she enraged a great many white feminists, who saw her essay as an attempt to privilege her identities as black and lesbian, and assume a moral authority based on suffering. Suffering was a condition universal to women, they claimed, and to accuse feminists of racism would cause divisiveness rather than heal it. In response, Lorde wrote “what you hear in my voice is fury, not suffering. Anger, not moral authority.”

— Audre Lorde, Wikipedia. in Work; Contemporary feminist thought. (via hipocampo)
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meatbeating:

Victim by Simon Kossoff on Flickr.
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rifles:

transit of venus
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greekg0ds:

Montana By sarahrahh.
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occupiedmuslim:

flavorpill:

night, guys

LOVE WHERE IS THIS FROM
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In this country American means white. Everybody else has to hyphenate.

— Toni Morrison (via uglygirlsclub)
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uriahgray:

Critical Objects — A Project by HelloMe • http://bit.ly/RYzYKk
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theyoungradical:

your heroic US military
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Both race and racism are profoundly historical. Thus if we discard biological and thus essentialist notions of “race” as fallacious, it would be erroneous to assume that we can also willfully extricate ourselves from histories of race and racism. Whether we acknowledge it or not, we continue to inhabit these histories, which help to constitute our social and psychic worlds.

— Angela Davis (via theraceproblem)
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hellanne:

(by Tiago V. Alves)
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refluent:

Huang Shan - cloud and mountain wonderland (by Raphael Bick)
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